Marina Abramovic: El gesto que se desvanece.

Performance Artistic Concept in Marina Abramovic’nerveux

Marina Abramović: A Deeper Exploration of Performance Artistry Through Pioneering Works.

• In examining the conceptual foundation of Marina Abramović’s performance art, one encounters a profound exploration into human experience as shared by performer and spectator alike within silences universal in nature. — Marina Abramović.

“Art has the unfortunate habit of rendering all theoretical frameworks obsolete.” – Marcel Duchamp, reflecting on a time when disappearances aligned with foundational principles and acts of abandonment were embraced by an elemental chance. Moments whereby bodily disintegration reached its ultimate conclusion left behind only notions of voids and anxiety — artifacts of the past…

• “The fragility of a moment encapsulates all existence.” – Marina Abramović, suggesting that within transient beauty lies an acceptance both devastating and encompassing of surrounding realities — asphyxiating in its depth.

“Performance art often appears misleadingly ambiguous or fraught with pitfalls, yet a confession can illuminate even the darkest corridors.” – Marina Abramović acknowledges that despite appearances of uncertainty and potential entrapment inherent to performance as an expressive discipline.

• “Performance art is perpetual in its unfinished nature, always rewriting chapters for confronting the indescribable.” – Marina Abramović identifies her work with risks and ongoing evolutions that defy completion.

“Through direct presentation there is no more barrier between artist, artwork, spectator…only a message encapsulated in the mutual gaze.” – Abramović’s work transcends conventional boundaries to foster unimpeded communication.

• “The human condition before an indifferent universe is stark, with vociferous temporalities that disappear between voices and silences.”— Marina Abramovic emphasizes the significance of our bodily presence within broader existential contexts.

“In my work I navigate through rituals, unconsciousness, pain communication and non-communication with ‘the other’ using a language where boundaries hold essential roles.” – Abramović’s performances are rooted in bodily experiences intertwined with deep psychological undertones.

• “The human existence against the backdrop of an unyielding universe is captured through gestures that dissolve into a maelstrom of voices, absences and silences.” — Abramović’s art conveys profound reflections on life’s ephemerality.

Preguntas frecuentes

What is Marina Abramović’s conceptual foundation for her performance art?**Marina Abramović explores the depth of shared human experience through silence, a universal element that connects performer and spectator in profound ways.

How does Marina Abramović view ambiguity and potential pitfalls within performance art?**Abramović acknowledges these aspects as essential parts of the expressive discipline, suggesting they are integral to uncovering deeper truths in her work.

What does Marina Abramović mean by ‘performance art is perpetual’?**She sees performance art as an ever-evolving form that never truly reaches completion, always rewriting and confronting the indescribable aspects of existence.

How does Marina Abramović believe her work fosters communication between artist, spectator, and ‘the other’?**Through direct presentation without barriers, she uses mutual gaze to encapsulate messages that bridge these distinct entities.

What does Abramović emphasize about our human condition before an indifferent universe?**She highlights the starkness and temporal nature of existence within a vast, impersonal cosmos where life’s loudest moments can quickly fade into silence.

What themes are central to Marina Abramović’s performance art in terms of rituals, unconsciousness, pain communication, and non-communication?**Her work delves deeply into bodily experiences with psychological implications that explore the essence of shared human existence.

How does Marina Abramović convey reflections on life’s ephemerality through her artistic gestures?**She captures this transient nature by dissolving into a whirlwind of voices, absences, and silences that reflect the fleeting aspect of human existence.

Texto original (2010)

En este ensayo, exploraremos el concepto del performance artístico a través de la obra pionera de Marina Abramovic. Desarticulando las fronteras tradicionales entre arte y espectador, su enfoque se sumerge profundamente en lo humano como experiencia compartida frente al silencio universal. —

Marina Abramovic.

El arte tiene la bonita costumbre de echar a perder todas las teorías artísticas.

Marcel Duchamp.

Hubo un tiempo en que desaparecer era una cuestión de principios, de abandono, de un simple hecho del azar. Momentos en los que el cuerpo se desintegraba por completo dejando tan solo una sensación de vacío, de angustia.

Eso era el pasado…

¿Ahora que nos queda?

Tan solo la fragilidad del instante.

La belleza de lo efímero se centra principalmente en que engloba toda una verdad, una aceptación devastadora de la realidad que nos circunda, y a su vez asfixia.

El performance como disciplina artística puede parecer engañoso, ambiguo, lleno de trabas, de trampas, de pasillos que suelen conducir a lugares obscuros y sin salidas. Sin embargo tras una confesión todo parece abrirse y aclararse desde la brutalidad de una imagen.

Marina Abramovic, es la síntesis de un riesgo, de un capitulo inconcluso que se reescribe constantemente para abordar aquello que solo puede decirse mediante la presencia del cuerpo.

Existen límites, fronteras que están ahí en medio del camino, entre la obra, el artista y el espectador… Marina se encarga de romper esos muros, esas líneas divisorias que solo pueden estorbar y entorpecer un discurso, presentándose tal y como es, no hay mas…solo un mensaje que se encierra entre la mirada que observa y a su vez es observada.

La obra de Abramovic se centra principalmente en su cuerpo y la relación con los ritos, la inconsciencia, el dolor la comunicación e incomunicación con el otro. Pasando a si un lenguaje en donde los limites tienen un lugar imprescindible dentro de su obra.

Las condiciones de lo humano ante el universo que grita y desgarra a cada segundo de la temporalidad de la vida, un gesto que se pierde entre voces, ausencias y silencios.